"In his book The Seventh Million, the Israeli journalist Tom Segev describes a visit to Auschwitz and other former death camps in Poland by a group of Israeli high school students...
These regular school tours to the death camps are part of Israeli civic education. The political message is straightforward: Israel was founded on the ashes of the Holocaust, but if Israel had already existed in 1933 the Holocaust would never have happened. Only in Israel can Jews be safe and free. The Holocaust was proof of that. So the victims of Hitler died as martyrs for the Jewish homeland, indeed as potential Israeli citizens, and the State of Israel is both the symbol and the guarantor of Jewish survival.
This message is given further expression, on those bleak and wintry spots where the Jewish people came close to annihilation, by displays of the Israeli flag and singing of the national anthem. But Segev noticed a peculiarly religious, or pseudoreligious, aspect to the death camp visits as well. The Israeli students in Poland, in his view, were like Christian pilgrims in Jerusalem, oblivious to everything except the sacred places. They marched along the railway tracks in Auschwitz-Birkenau like Christians on the Via Dolorosa. They brought books of prayers, poems, and psalms, which they recited in front of the ruined gas chambers. They played cassette tapes of music composed by a Holocaust survivor named Yehuda Poliker. And at one of the camps, a candle was lit in the crematorium, where the students knelt in prayer.
Some call this a form of secular religion. The historian Saul Friedlander was harsher and called it a union of kitsch and death. I felt the pull of kitsch emotion myself on my only visit to Auschwitz, in 1990. By kitsch I don’t mean gaudiness or camp but rather an expression of emotion that is displaced, focused on the wrong thing, or, to use that ghastly word properly for once, inappropriate. I am not the child of Holocaust survivors... even I couldn’t escape a momentary feeling of vicarious virtue, especially when I came across tourists from Germany. They were the villains, I the potential victim. But for the grace of God, I thought, I would have died here too. Or would I? An even more grotesque calculation passed through my mind: How did I fit into the Nuremberg laws?... I was woken from these smug and morbid thoughts by the sight of a tall man in American Indian dress, followed by young Japanese, Germans, and others of various nationalities banging on tambourines, yelling something about world peace.
All this seems far away from Primo Levi’s [a Holocaust survivor] fears of oblivion. One of the cruelest curses flung at the Jewish victims by an SS officer at Auschwitz was the promise that even if one Jew survived the camp no one would believe what had happened to him or her. The SS man was quite wrong, of course. We cannot imagine the victims’ torment, but we believe it. And far from forgetting the most recent and horrible chapter in the long book of Jewish suffering, the remembrance of it grows in volume the further the events recede into the past. Holocaust museums and memorials proliferate. Holocaust movies and television soap operas have broken box-office records. More and more people visit the camps, whose rotting barracks have to be carefully restored to serve as memorials and movie sets.
In a curious way, the Jewish Holocaust has been an inspiration to others. For almost every community, be it a nation or a religious or ethnic or sexual minority, has a bone to pick with history. All have suffered wrongs, and to an increasing and in my View alarming extent, all want these wrongs to be recognized, publicly, ritually, and sometimes financially. What I find alarming is not the attention we are asked to pay to the past. Without history, including its most painful episodes, we cannot understand who we are, or indeed who others are. A lack of historical sense means a lack of perspective. Without perspective we flounder in the dark and will believe anything, no matter how vile. 80 history is good, and it is right that victims who died alone and in misery should be remembered. And minorities are still vulnerable to persecution, Christians by Muslims, Sunnis by Shiites, Shiites by Sunnis, Muslim Uighurs by Han Chinese, Bosnians by Serbs, and on and on. What is alarming, however, is the extent to which so many minorities have come to define themselves above all as historical victims. What this reveals is precisely a lack of historical perspective.
Sometimes it is as if everyone wants to compete with the Jewish tragedy, in what an Israeli friend once called the Olympics of suffering. Am I wrong to detect a hint of envy when I read that Iris Chang, the Chinese-American author of a best seller about the 1937 Nanking Massacre, wishes for a Steven Spielberg to do justice to that event? (Her book bears the subtitle The Forgotten Holocaust of World War II.) It is, it appears, not enough for Chinese-Americans to be seen as the , heirs of a great civilization; they want to be recognized as heirs of their very own Holocaust. In an interview, Chang related how a woman came up to her in tears after a public reading and said that Chang’s account of the massacre had made her “feel proud to be Chinese-American.” A massacre seems a peculiar source of pride.
Chinese-Americans are not the only ones to be prey to such emotions. The idea of victimhood also haunts Hindu nationalists, Armenians, African-Americans, American Indians, Japanese-Americans, and homosexuals who have adopted AIDS as a badge of identity. Larry Kramer’s book on AIDS, for example, is entitled Reports from the Holocaust. Even the placid, prosperous Dutch, particularly those now in their teens and twenties, much too young to have experienced any atrocity at all, have narrowed down their historical perspective to the hardship suffered under German occupation in World War II. This is no wonder, since pre- twentieth-century history has been virtually abolished from the curriculum as irrelevant.
The use of Spielberg’s name is of course telling, for the preferred way to experience historical suffering is at the movies. Hollywood makes history real. When Oprah Winfrey played a slave in the movie Beloved, she told the press that she collapsed on the set, crying and shaking. “I became so hysterical,” she said, “that I connected to the raw place. That was the transforming moment. The physicality, the beatings, going to the field, being mistreated every day was nothing compared to the understanding that you didn’t own your life. ” And remember, this was just a movie...
It becomes problematic when a cultural, ethnic, religious, or national community bases its communal identity almost entirely on the sentimental solidarity of remembered victimhood. For that way lies historical myopia and, in extreme circumstances, vendetta.
Why has it come to this? Why do so many people wish to identify themselves as vicarious Victims? There is no general answer. Histories are different, and so are their uses. Memories, fictionalized or real, of shared victimhood formed the basis of much nineteenth-century nationalism. But nationalism, though not always absent, does not seem to be the main driving force for vicarious victims today. There is something else at work. First there is the silence of the actual victims: the silence of the dead, but also of the survivors. When the survivors of the Nazi death camps arrived in Israel on rusty, overloaded ships, shame and trauma prevented most of them from talking about their suffering. Victims occupied a precarious place in the new state of Jewish heroes. It was as though victimhood were a stain that had to be erased or overlooked. And so most survivors preferred to keep quiet. A similar thing happened in Europe...
It was left up to the next generation, the sons and daughters of the victims, to break the silence...
There is a universal piety in remembering our parents. It is a way of honoring them. But remembering our parents, especially if their suffering remained mute and unacknowledged, is also a way of asserting ourselves, of telling the world who we are... Speaking openly about the communal suffering of one’s ancestors—as Jews, Japanese-Americans, Chinese, Hindus, etc—can be a way of “coming out,” as it were, of . nailing the colors of one’s identity to the mast. The only way a new generation can be identified with the suffering of previous generations is for that suffering to be publicly acknowledged, over and over again. This option is especially appealing when few or indeed no other tags of communal identity remain, often because of the survivors’ desire to assimilate. When J ewishness is reduced to a taste for Woody Allen movies and bagels, or Chineseness to Amy Tan novels and dim sum on Sundays, the quasi authenticity of communal suffering will begin to look very attractive.
The scholar K. Anthony Appiah made this point in an analysis of identity politics in contemporary America. The languages, religious beliefs, myths, and histories of the old countries tend to fade away as the children of immigrants become Americans. This often leads to defensive claims of Otherness, especially when there is little Otherness left to defend...
He goes on to say that “the new talk of ‘identity’ offers the promise of forms of recognition and of solidarity that could make up for the loss of the rich, old kitchen comforts of ethnicity.” Alas, however, those forms too often resemble the combination of kitsch and death described by Friedlander. Identity, more and more, rests on the pseudoreligion of victimhood. What Appiah says about ethnic minorities might even be applied to women: the more emancipated women become, the more some extreme feminists begin to define themselves as helpless victims of men.
But surely nationalities are not the same as ethnic minorities in America, let alone women. Indeed they are not. By and large, people of different nations still speak different languages, have different tastes in food, and share distinct histories and myths. These distinctions, however, are becoming fuzzier all the time. To a certain extent, especially in the richer countries, we are all becoming minorities in an Americanized world, where we watch Seinfeld while eating Chinese takeout. Few nations are defined by religion anymore, even though some, such as Iran and Afghanistan, have busily been reviving that definition. National histories, celebrating national heroes, are fading away in favor of social studies, which have replaced patriotic propaganda based on historical continuity with celebrations of contemporary multiculturalism. Literary canons, though perhaps less under siege in Europe than they are in the United States, are also becoming increasingly obsolete. Combined with a great deal of immigration to such countries as Britain, Germany, France, and Holland, these developments have eroded what kitchen comforts of ethnicity remained in European nation-states.
Perhaps the strongest, most liberating, and most lethal glue that has bound national communities together is the way we choose or are forced to be governed. Some nations have been defined mainly by their political systems. The United States is such a place. Sometimes politics and religion are combined in monarchies. Nowhere is politics entirely without irrational elements: customs, religion, and historical quirks all leave their marks. It was an extreme conceit born of the Enlightenment and the French Revolution that political utopias could be based on pure reason. Nationalism, in the sense of worshiping the nation-state as an expression of the popular will, was part of this. Politics was destined to replace the bonds of religion, or region, or race. This did some good. It also did a great deal of harm. The twin catastrophes of communism and fascism showed how dangerous it is to see the nation-state as a pure expression of the people’s will. In any event, the ideological split between left and right, which was spawned by the division in the French National Assembly in 1789 and was eventually hardened by the cold war, effectively collapsed with the end of the Soviet Union. And the effects of global capitalism and multinational political arrangements, especially in Europe, have to some extent undermined the perception that nations are defined by the way they are governed. For it doesn’t seem to matter anymore how they are governed: decisions always appear to be made somewhere else. The current English obsession with the culture of Englishness has come just at the time of increasing integration into European institutions.
So where do we go in this disenchanted world of broken- down ideologies, religions, and national and cultural borderlines?... A half-century of secular, democratic, progressive change has surely been a huge success. We have finally been liberated from irrational ethnic comforts. And yet, after all that, a growing number of people seek to return to precisely such comforts, and the form they often take is the pseudoreligion of kitsch and death. Segev argues that the modern Israeli tendency to turn the Holocaust into a civic religion is a reaction against secular Zionism. The “new man”—socialist, heroic, pioneering—turned out to be inadequate. More and more, people want to rediscover their historical roots. To be serious about religion is demanding, however. As Segev says, “Emotional and historical awareness of the Holocaust provides a much easier way back into the mainstream of Jewish history, without necessarily imposing any real personal moral obligation. The ‘heritage of the Holocaust’ is thus largely a way for secular Israelis to express their connection to Jewish heritage.”...
Just as the Romantic idealism and culture worship of Herder and Fichte followed the secular rationalism of the French philosophes, our attraction to kitsch and death heralds a new Romantic age, which is antirational, sentimental, and communitarian. We see it in the politics of Clinton and Blair, which have replaced socialist ideology with appeals to the community of feeling, where we all share one another’s pain. We saw it in the extraordinary scenes surrounding the death of Princess Diana, when the world, so TV reporters informed us, united in mourning. Princess Diana was in fact the perfect embodiment of our obsession with victimhood. Not only did she identify with victims, often in commendable ways, hugging AIDS patients here and homeless people there, but she was seen as a suffering victim herself: of male chauvinism, royal snobbery, the media, British society, and so on. Everyone who felt victimized in any way identified with her, especially women and members of ethnic minorities. And it says something about the state of Britain, changed profoundly by immigration, American influence, and common European institutions, yet unsure of its status in Europe, that so many people felt united as a nation only when the princess of grief had died.
This sharing of pain has found its way into the manner in which we look at history, too. Historiography is less and less a matter of finding out how things really were or trying to explain how things happened. For not only is historical truth irrelevant but it has become a common assumption that there is no such thing. Everything is subjective or a sociopolitical construct. And if the civic lessons we learn at school teach us anything, it is to respect the truths constructed by others, or, as it is more usually phrased, the Other. So we study memory, that is to say, history as it is felt, especially by its victims. By sharing the pain of others, we learn to understand their feelings and to get in touch with our own...
[Fetishising historical suffering as similar] is ahistorical, because the actual experiences of historical victims get blended in a kind of soup of pain. Although it is undoubtedly true that Chinese, Jews, gays, and others have suffered, it is not so that they all suffered in the same way. The distinctions tend to get lost. It is all too typical of our neoromantic age that a well-known Dutch ballet dancer and novelist named Rudi van Dantzig should announce in a pamphlet issued by the Resistance Museum in Amsterdam that homosexuals and other minorities in the Netherlands should take anti-Nazi resisters as models for their struggle against social discrimination.
But intellectual enlightenment is probably not the issue here. Instead there is authenticity. When all truth is subjective, only feelings are authentic, and only the subject can know whether his or her feelings are true or false. One of the most remarkable statements along these lines was written by the novelist Edmund White. In an article about AIDS literature, he argues that literary expressions of the disease cannot be judged by critical standards. As he puts it, a trifle histrionically: “I can scarcely defend my feelings beyond saying that it strikes me as indecent to hand out grades to men and women on the edge of the grave.” He then stretches AIDS literature to encompass multiculturalism in general, and states not only that multiculturalism is incompatible with a literary canon but that he’d “go even further and say multiculturalism is incompatible with the whole business of handing out critical high and low marks.” In other words, our critical faculties cannot be applied to novels, poems, essays, or plays expressing the pain of Others. As White says about the AIDS genre, “We will not permit our readers to evaluate us; we want them to toss and turn with us, drenched in our night sweats.”
What makes us authentic, then, as Jews, homosexuals, Hindus, or Chinese, is our sense of trauma, and thus our status as victims, which cannot be questioned. The vulgar Freudianism of this View is remarkable in an age of debunking Freud. In fact, Freud’s endeavors were themselves a brilliant product of late-nineteenth-century identity politics. To secular, bourgeois, assimilated German and Austrian Jews, psychoanalysis was a logical route to self-discovery. What Freud did for his Viennese patients is in a way what Edmund White and other identity politicians are now doing for their various “communities,” and real politicians are borrowing their language.
Apart from the sentimentality that this injects into public life, the new religions of kitsch and death are disturbing for other reasons. For all Schwarcz’s talk of building bridges between mourning communities, I think the tendency to identify authenticity in communal suffering actually impedes understanding among people. Feelings can only be expressed, not discussed or argued about. This cannot result in mutual understanding but only in mute acceptance of whatever people wish to say about themselves, or in violent confrontation. The same is true of political discourse. Ideology has caused a great deal of suffering, to be sure, particularly in political systems where ideologies were imposed by force. But without any ideology political debate becomes incoherent, and politicians appeal to sentiments instead of ideas. And this can easily result in authoritarianism, for, again, you cannot argue with feelings. Those who try are denounced not for being wrong but for being unfeeling, uncaring, and thus bad people who don’t deserve to be heard...
The steady substitution of political argument in public life with the soothing rhetoric of healing seems wrong. We can make a start toward resolving the problem by drawing distinctions where few are made now. Politics is not the same as religion or psychiatry, even though it may be influenced by both. Memory is not the same as history, and memorializing is different from writing history. Sharing a cultural heritage is more than “negotiating an identity.” It is perhaps time for those of us who have lost religious, linguistic, or cultural ties with our ancestors to admit to that and let go. Finally, and I think this goes to the heart of the matter, we should recognize that truth is not just a point of view. There are facts that are not made up but real. And to pretend there is no difference between fact and fiction, or that all writing is fiction, is to paralyze our capacity to distinguish truth from falsehood. And that is the worst betrayal of Primo Levi and all those who suffered in the past. For Levi’s fear was not that future generations would fail to share his pain but that they would fail to recognize the truth."
--- The Joys and Perils of Victimhood in Theater of Cruelty: Art, Film, and the Shadows of War / Ian Buruma
This is a good critique of victim culture, of the claim that just because one group suffered more doesn't mean we can't talk about another's, and of the race to the bottom in claiming offence and grievance.
From 1999. Of course, it's no surprise that 19 years later he got kicked out of the New York Review of Books for defying liberal groupthink by publishing Jian Ghomeshi's article.